1. This is a beautiful overlook about twenty minutes from where I live. Many people and galleries claim an aversion to green paintings. I have always painted them and enjoy the challenge of capturing the different shades of green.
It was a perfect spring day and I decided to paint a medium sized 24×30 canvas. This is a preparatory painting for a larger 30×40 version that I will also paint from life.
2.I quickly draw my main areas in with a large brush. I’ve exaggerated the height ratio of the mountain to increase its drama and I’ve sloped the foreground more than it really is to create opposing angles in the design.
3.Starting with the mountain I block in the shadow shifting its color attributes as it comes forward towards the middle ground. The middle ground is also established increasing the contrast and color saturation between the elements compared to the background.
4.I finish off the sky color and then rough in the foreground grasses making sure to capture the temperature shifts and warmer hues.
5.Starting in the background I develop the form of the mountain and the middle ground trees by adding the sunlit sides to the geometric planes that are the underlying structure there.
6.Working on the foreground trees I model their shapes and add details. I also add detail to the foreground grasses. At this stage I continue to develop details for another twenty minutes.
7.The finished painting ‘Massies Corner’ 24×30 oil on linen. Working from big to small back to front I am able to finish the painting in just over three hours. By mixing my greens and carefully orchestrating their temperature and hue I’ve avoided the monotony green paintings can succumb to.