Every Spring I make a point of painting the bluebells when they come out and bloom. They never last more than a few days once they peak and so depending on the weather you can miss them completely if you don’t check on them. I know every April I need to make a trip to my bluebell spots and see what kind of a year it will be.
This year they weren’t as thick as in years past but they were still good enough to paint. I set up at my favorite spot at the Manassas Battlefield, the path along the stone Bridge at Bull Run.
The afternoon light is my favorite for this spot because I’m looking into the sun and everything is backlit on a sunny day. I found a place not too far off the trail and got to work.
The first thing I did was to establish the tree line.
Next I blocked in a medium tone for the bare trees in the distance.
Then I blocked in the ground plain keying it to my tree color.
Now using the scene I design the trunks of the trees in my middle and foreground. I want to vary their placement angle and individual widths so they aren’t too static.
I move to the background again and start designing my sky holes in the background tree color already on the board. Once I have that in I carefully move forward in the picture plane marking key elements like the color of the bushes in the understory and the trail through the flowers.
With my big shapes locked in I start modelling the areas building a sense of light and form to the individual elements without obliterating my groundwork for the structure of the painting.
I spend the last 45 minutes unifying the whole picture adding details where it enhances the mood simplifying areas that distract from the feel.
The finished painting, ‘Battlefield Bluebells,’ 12 x 16, oil on board. The total working time was 2 hours from start to finish.