Edward Brian Seago was born in Norwich, England. A heart condition caused him to be homeschooled and spend a considerable amount of time at rest. It was his mother, an amateur watercolorist, who encouraged Seago to paint. Although primarily self-taught, Seago received some instruction from Bertram Priestman. As a young man, Seago lived a dual life—spending time with the circus performers and gypsies and accepting patronage from prominent society. It was his connection to society that helped Seago achieve the financial success he deserved. His affiliations with prominent art dealers, especially Tom Baskett of P. and D. Colnaghi Galleries, gave Seago the steady promotion of his work, which was lacking in the prewar years. Following the war, the gallery had solo shows of Seago’s works, alternating annually with his watercolors and oils.
At a time when most artists chased so-called “modern art principals”, Seago tenaciously clung to his own idea of painting. Ignored by critics and the art establishment of the time, the public increasingly embraced his honest depictions of East Anglia and his travels abroad. Seago’s influence can be seen in a new group of British painters, including Trevor Chamberlain, Ron Ranson, and David Curtis.
Seago was a member of the Royal Society of British Artists from 1946 and the Royal Watercolors Society from 1959. He exhibited in London, Glasgow, New York, Toronto, Montreal, Los Angeles, Oslo and Brussels.
Edward Seago: The Landscape ArtJames W. Reid
David and Charles 1987
QuoteYou can have technique without art, but I do not believe you can have art without technique.~Edward Seago