By Armand Cabrera
“Brush strokes carry a message whether you will it or not. The stroke is just like the artist at the time he makes it. All the certainties, all the uncertainties, all the bigness of his spirit and all the littleness are in it.” —– Robert Henri
Intent is often overlooked when creating a painting. Intent is different than an idea for a painting. The idea is subject or narrative of your image but just as important for the image is the why of it. Why make this image?
In my opinion it is intent that drives the creative process and affects the outcome of the final image. Why not make it conscious? I would argue the best paintings an artist can make have a clear intent from their author. The artist has found something to say about the subject being depicted. There are more utilitarian forms of intent like only painting to make money or painting to be famous or just practicing for improving ones skill but even there knowing the purpose of your work will affect the outcome.
Every artist who has ever attempted to sell their work has had to deal with compromise. Once you put your work up for sale you begin a form of collaboration. Better to have that collaboration at the beginning of the painting process before the artist actually starts the image than the end.
At its best all parties respect their roles in the transaction and this allows the artist to willingly accept the work being requested or purchased outright. In its worst form selling art can be a nightmare, it is a job with the artist being little more than the one who renders the idea with little other input into the creation. Sometimes an artist can be asked to change a finished piece of art to accommodate an interested client. To the degree the intent of the picture is embraced by the artist the better chance that artist has of creating something worthwhile.
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