Dean Cornwell Vignettes

by
Armand Cabrera
I have some other posts planned on Dean Cornwell that will have more depth but I thought I’d start with some favorite examples for now. I tried to use images I haven’t seen before on the web and I used images from old auction catalogs so the color is better than other scans I’ve seen.
Cornwell is one of the few golden age illustrators that appeal to gallery artists and illustrators alike. His masterful compositions and use of thick bravura brushwork allows his paintings to survive beyond the illustrated page.


I happen to love his vignettes; these paintings were done for ads and illustrations usually in black and white or a limited palette for print of two or three colors.


All the extraneous details of a normal painting are stripped away and Cornwell gives us just enough to set the scene and make the characters live. I love the juxtaposition of abstract shape and rendered forms. Enjoy!

Sir Frank Brangwyn RA


By
Armand Cabrera

Frank Brangwyn was born in Bruges Belgium, in 1867. In 1874, his family moved to England. Frank Brangwyn received some artistic training in the workshops of William Morris, but received no formal artistic education. At the age of seventeen, one of Brangwyn’s paintings was accepted at the Royal Academy. His canvas, “Funeral At Sea”, painted in 1890, won a Medal of the 3rd Class at the 1891 Paris Salon.


When there was a strong interest in Orientalism, Brangwyn worked as a deck hand traveling to the Black Sea and Turkey. He created many outdoor paintings and drawings of Spain, Morocco, Egypt and Africa.


In 1895, the Parisian art dealer, Siegfried Bing, commissioned Brangwyn to decorate the exterior of his Galerie L’Art Nouveau. Brangwyn began mural painting as part of his repertoire. Brangwyn received many mural commissions.

In 1901, he painted murals for the Great Hall at Skinners, London. They were eventually completed in 1909.
Brangwyn painted eight murals for the Panama-Pacific International Exposition in San Francisco, 1915. They are now located in the lobby at the Herbst Theatre.

His most famous murals are the British Empire Panels painted 1925 – 1932. They were commissioned to commemorate the First World War. The sixteen works cover 3,000 square feet in total. They were originally intended for the House of Lords at Westminster, but rejected for being too colorful and spirited. They are now located in Brangwyn Hall, Swansea, Wales.

In 1930, Brangwyn was chosen by John D. Rockefeller, Jr. along with Diego Rivera to decorate the RCA Building in New York City. The murals were completed in 1934.

In 1936 Brangwyn presented the city of Bruges, Belgium with over four hundred works. In return, Bruges made Brangwyn a Grand Officer of the Order of Leopold II and Citoyen d’Honneur de Bruges (only the third time the award had been given). He was knighted in 1941.


As well as murals, paintings and drawings, Brangwyn also created designs for furniture and stained glass, ceramics, table glassware, buildings and interiors. In addition he illustrated books.

Brangwyn died on the 11th of June 1956 at his home in Sussex.

Bibliography

Frank Brangwyn the Bruges Collection
Dominique Marechal
Generale Bank 1987

Frank Brangwyn 1867-1956Leeds Museums & Galleries 2007

British Empire Panels Designed for the House of Lords By Frank Brangwyn
Frank Rutter
Lewis 1933

Frank Brangwyn and His Work
Walter Shaw Sparrow
Dana Estes and Company1911

Quote
Art is individuality added to tradition
~Frank Brangwyn

2009 Workshops

Workshops, Demos and E-Classes

 

Yes, I have to pay bills too.
This is a list of upcoming Armand Cabrera events for 2009.

E-CLASSES

 

Study Studio Painting
Intense, pesonal instruction by Armand Cabrera

 

2009 FREE PAINTING DEMONSTRATION SERIES

 

~ FEBRUARY 2009 ~
Saturday, February 7th

 

Our first demonstration of the year will be held at
Ayr Hill Gallery in Vienna, Virginia.
The demonstration is free, but you must register in advance
for the gallery to hold a place for you.
Limited space12:30 – 2:30ish

This is a BYOC event—-bring your own chair!

Please contact Gail Roberts to register.
Email Gail

Telephone: (703) 938-3880141
Church Street NWVienna, Virginia 22180

 

Thursday, February 12th

 

This demonstration will be sponsored by
The Vienna Arts Society
115 Pleasant Street N. W. Vienna, Virginia

 

This is an indoor demonstration – so come, rain or shine
10:30 am – 12:30 pm
We’ll begin right after their monthly meeting

Armand Cabrera Workshops

 

~ APRIL 2009 ~
STUDIO AND OUTDOOR PAINTING ON HILTON HEAD ISLAND
Arts Center of Coastal Carolina
April 26 – May 1
Evening Orientation * 3 days painting in studio * 2 days painting outdoors
~ SEPTEMBER 2009 ~
STUDIO AND OUTDOOR PAINTING IN RICHMOND, VIRGINIA
Brazier Studio Workshops
September 24 – 27
If there is any trouble with the links above please visit the workshop page on my site
http://www.armandcabrera.com/workshops.html

 

Gustav Bauernfeind


by
Armand Cabrera
Johann Gustav Adolf Bauernfeind was born in 1848 in Sulz am Neckar near Stuttgart, Germany. Bauernfeind had shown an aptitude for mechanical and freehand drawing. He decided to become an architect. He attended the Stuttgart Polytechnic Institute from 1864 to 1869. In 1870, Bauernfeind joined an architectural firm in Stuttgart under Professor Wilhelm Baumer.


After traveling to Vienna with Professor Baumer, Bauernfeind returned to Stuttgart a year later. He found employment at an architectural firm with Professor Adolf Gnauth, an architect and painter. Gnauth helped Bauernfeind pursue painting, finding him a commission to paint Italian scenes for the German art publisher, Johann Christian Englehorn. Gustav painted the Italian views from 1873 to 1874.


He returned to Stuttgart in 1974 and later moved to Munich in 1876. In Munich, Bauernfeind furthered his abilities as a painter. He developed friendships with other German artists such as Heinrich Von Zügel and Ludwig Löfftz.


Bauernfeind is most remembered for his accurate portrayals of the Mideast. He traveled there four times. (1880-1881), (1884-1887), (1888-1889), (1896-1904). Bauernfeind worked in watercolors and oils outdoors. Many of these sketches were the basis for larger studio works. He believed in thoroughly immersing himself in his painting motifs—
in some cases, painting Orientalist outdoor scenes at great risk to his life. He carried a gun and would hire local bodyguards to help protect him. Being a foreigner, Bauernfeind was often spat upon or had objects thrown at him while painting. Sometimes he was threatened by crowds and would be forced to leave the area.

Gustav Bauernfeind died in Jerusalem on Christmas Eve, 1904 from heart failure while decorating the Christmas tree.

His paintings are recognized for their veracity and attention to detail.
Bauernfeind’s The Wailing Wall, Jerusalem sold for £3 million (USD 4,485,839.51) against a pre-sale estimate of £600,000-800,000 –June2007


Bibliography

The Life and Work of Gustav Bauernfeind
Orientalist Painter 1848-1904

Hauswedell & Co. 1990
Alex Carmel and Hugo Schmidt
Translated from German by Ted Gorelick


Quote

When I arrived in the country [ Jerusalem]nearly one and a half years ago I wanted to try my hand at landscapes, in regard to which I was not really aware of having embarked on a new field whose difficulties I might not be able to surmount. But the solemnity of mood in the late evenings and early mornings brought it home to me, and when all else has been subject to change and has more often repelled than attracted the observer, then no one will dispute that landscape has on the whole held on to its character. ~ Gustav Bauernfeind